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In 'Roots of the Revival', Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's mid-century resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain.
Folk music --- Ethnic music --- Traditional music --- Folklore --- Music --- History and criticism.
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Folk music --- Folk songs, English --- Folk music. --- Folk songs, English. --- English ballads and songs --- English folk songs --- Ethnic music --- Traditional music --- Folklore --- Music
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This book provides a comprehensive review of income inequality issues in the OECD in a cross-country setting. It presents a wealth of data and analysis on the formation of inequality and identifies groups of countries that share similar inequality patterns. It also reviews developments at the extremes of the income distribution, namely poverty, top incomes as well as the distribution of wealth. An important contribution of the book is the careful examination of the determinants of the income distribution, such as globalisation and technical progress as well as the effect of a wide range of eco
Distribution (Economic theory) --- Income distribution --- Distribution of income --- Income inequality --- Inequality of income --- Disposable income --- Wealth --- E-books --- Folk music --- History and criticism. --- Ethnic music --- Traditional music --- Folklore --- Music --- Income distribution - OECD countries
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Traditional music of the Wechsel, styrian-lower austrian border region, 100 kms south of Vienna. Volume 1 „The religious song“ sung during the farmer’s traditional two-night corpse-watch at the bier in the house of the deceased. 192 songs with text, music and incipits, 3 CDs with historical recordings, dictionary of local dialect. CD 1: http://e-book.fwf.ac.at/o:672 CD 2: http://e-book.fwf.ac.at/o:727 CD 3: http://e-book.fwf.ac.at/o:762. Volksmusik des Wechsels, Grenzlandschaft Steiermark-Niederösterreich. Teilband 1 „Das Geistliche Lied“ im bäuerlichen Brauch des Leichhüatns. Die „Leichhüatlieder“, welche zwei Nächte lang im Hause eines Verstorbenen vor dem aufgebahrten Toten gesungen wurden. 192 Lieder mit Text- und Melodievarianten, Melodienincipits, 3 CDs mit historischen Tonaufzeichnungen, Wörterbuch des lokalen Dialekts. CD 1: http://e-book.fwf.ac.at/o:672 CD 2: http://e-book.fwf.ac.at/o:727 CD 3: http://e-book.fwf.ac.at/o:762.
Folk music --- History and criticism. --- Ethnic music --- Traditional music --- Folklore --- Music --- Traditional music in the Styrian / Lower Austrian Wechsel-region --- songs during the corpse-watch in the farmhouse of the deceased --- CDs --- historical recordings --- dictionary of local dialect --- incipits --- Nö.-steir. Wechselgebiet --- Geistliches Lied: Leichhüatlieder --- bäuerliche Tradition der Totenwache --- 3 CDs --- historische Tondokumente --- Wörterbuch --- Melodienincipits --- Aspang-Markt --- Gott --- Refrain --- Trattenbach --- Warth (Niederösterreich)
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Zoe C. Sherinian shows how Christian Dalits (once known as untouchables or outcastes) in southern India have employed music to protest social oppression and as a vehicle of liberation. Her focus is on the life and theology of a charismatic composer and leader, Reverend J. Theophilus Appavoo, who drew on Tamil folk music to create a distinctive form of indigenized Christian music. Appavoo composed songs and liturgy infused with messages linking Christian theology with critiques of social inequality. Sherinian traces the history of Christian music in India and introduces us to a community of
Dalits --- Folk music --- Church music --- Depressed classes (South Asia) --- Harijans --- Scheduled castes (India) --- Untouchables --- Caste --- Ethnology --- Ethnic music --- Traditional music --- Folklore --- Music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- History and criticism. --- Religious life. --- Religious aspects --- Christianity. --- History and criticism --- Christianity --- Appavoo, James Theophilus. --- Paraṭṭai --- Religious life
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First published in 1980 and now available only from the University of New Mexico Press, this classic compilation of New Mexico folk music is based on thirty-five years of field research by a giant of modern music. Composer John Donald Robb, a passionate aficionado of the traditions of his adopted state, traveled New Mexico recording and transcribing music from the time he arrived in the Southwest in 1941.
Folk songs --- Folk music --- Hispanic Americans --- Ethnic music --- Traditional music --- Folklore --- Music --- Folksongs --- Folk literature --- National music --- Songs --- Ballads --- National songs --- Hispanics (United States) --- Latino Americans --- Latinos (United States) --- Latinxs --- Spanish Americans in the United States --- Spanish-speaking people (United States) --- Spanish-surnamed people (United States) --- Ethnology --- Latin Americans --- Spanish Americans (Latin America) --- Folk dance music --- Mexican American women --- Mexican Americans --- Chicanas --- Women, Mexican American --- Women --- Songs and music --- History and criticism.
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